Cup Final, by Anna Katrina Zinkeisen, 1934 |
Epping Forest, by Nancy Smith, 1922 |
Some of the artists have signed their work but others remain anonymous. What they have in common is the ability to tell a story and to evoke an atmosphere through their draughtsmanship, use of typography and colour that are not only a pleasure to look at but at the same time promoted London Underground as an optimistic and forward thinking company.
I was invited to review this exhibition by the Islington Archaeology and History Society and while I was exploring the exhibition I was very excited to see a poster designed by Clifford and Rosemary Ellis in 1936. Clifford Ellis is the only man featured in this exhibition because he and his wife Rosemary always worked as a double act and he was also the head of Bath Academy of Art until 1972 where I later studied graphic design. In addition to this Jane Strother also has a poster from 1999 in this exhibition–we were students at roughly the same time–and seeing these pieces of work reminded me of the three years I spent at this remarkable school of art.
Poster Girls–a century of art and design, 13 October to January 2019, London Transport Museum.
Come out to play, by Clifford Ellis and Rosemary Ellis, 1936 |