I've been roaming around other people's blogs today in an effort to avoid sorting out my paperwork. On one of them, that I reached somehow through the Folksy site, the author was showing off her favourite party shoes.
This reminded me of a time when one of my enthusiasms as a child was shoe designing. It was great fun and I think this period represents the start of my adult life as a designer. It must have been in the summer time because wearing Scholl sandals became very popular among the neighbouring adults. Having a look at their website just now made me giggle and frankly the designs haven't changed much. They are called exercise sandals.
Anyway I was much impressed with these items of footwear and since I was about 10 years old there wasn't any chance of me owning a pair I decided to make my own version-out of cardboard. My friend Susan, who lived in the same road and was a couple of years younger than me, and I laboured away drawing around the shape of our bare feet while standing on thick cardboard. Then we cut the shapes out and fashioned wide straps to keep them on which we must have glued underneath the cardboard soles. The best bit was when we decorated the straps with glitter and stuff thereby making far more interesting sandals than any grown-up was likely to own and hey presto we had our very own version of Scholl sandals. They would last a few days before they fell apart and then we'd make some more.
Susan's Dad thought we were completely mad and for some years afterwards I think it was the only thing he could remember about me but what he clearly didn't understand was how much fun it was making them and then re-making them when the old one's wore out. I wonder whatever happened to Susan and her Dad?
Wednesday, 29 April 2009
Thursday, 9 April 2009
Tuesday, 10.30am - Nora phones
'Heather hi, bla bla bla, yada yada yada, I'm visiting London now with my niece, Zoë and we'd thought we'd visit the Whitechapel. I want to see Guernica. Have you seen it?'
'No I haven't.' (I thought Guernica was in Madrid).
'So when shall we meet? How will you get there? So, fine we'll meet at 2.30pm then. Bye.'
So at 3.15pm I arrived breathless at the doorway to Whitechapel Gallery that is actually next to Aldgate East tube station, not Whitechapel as you might expect. In the interests of economy I had decided that I'd walk to the gallery from home not realising that it would take the best part of an hour to get there but I'm sure the walk did me no end of good.
The Whitechapel Gallery has just reopened its doors after a major refurb. When I walked through the main entrance it seemed to me oddly like it had before its refurb but freshly painted in nice white paint. The great thing was it was completely free which was fantastic because I had a vague recollection that I had had to pay to see an exhibition of Lucian Freud's work there. But hey, perhaps I was wrong and maybe that had been free too. I also expected my visit to be oh so pretentious and arty and it was nothing of the sort. The work was very accessible and a lot of it was interesting so I reckon I was feeling very prejudiced towards the place before I even got there and it did me no harm to have my preconceived ideas turned on their head.
The gallery Nora whisked me into was the one I stayed in for longest. The painting of Guernica was painted by Pablo Picasso as his response to the destruction of the Basque town Gernika by the Nazis and Fascists in 1937 during the Spanish Civil War. The version on display here is a life-size tapestry of the painting which has been on display at the United Nations Headquarters in New York since 1985. It is a powerful image and takes up most of the space of the far wall in the gallery. This tapestry forms the centrepiece of an art installation which is made up of a few separate pieces which all have something powerful to say about the horrors of war. These works have been selected by Goshka Macuga who is a London-based Polish artist and the exhibition is called The Bloomberg Commission. While I found Guernica very interesting there was a film playing on a continuous loop which was a documentary about life and death in Iraq with copious numbers of dead bodies and injured children which was eye opening and unlike anything you'd see on the evening tv news.
Once I'd felt I'd had enough of death and destruction and said goodbye to my friends I had a quick visit around the rest of the place. What I hadn't appreciated was that the old public library next door had been absorbed into the gallery thereby increasing the floor space enormously. I will look forward to my next visit when I can pay closer attention to the spaces upstairs with fresh eyes.
'No I haven't.' (I thought Guernica was in Madrid).
'So when shall we meet? How will you get there? So, fine we'll meet at 2.30pm then. Bye.'
So at 3.15pm I arrived breathless at the doorway to Whitechapel Gallery that is actually next to Aldgate East tube station, not Whitechapel as you might expect. In the interests of economy I had decided that I'd walk to the gallery from home not realising that it would take the best part of an hour to get there but I'm sure the walk did me no end of good.
The Whitechapel Gallery has just reopened its doors after a major refurb. When I walked through the main entrance it seemed to me oddly like it had before its refurb but freshly painted in nice white paint. The great thing was it was completely free which was fantastic because I had a vague recollection that I had had to pay to see an exhibition of Lucian Freud's work there. But hey, perhaps I was wrong and maybe that had been free too. I also expected my visit to be oh so pretentious and arty and it was nothing of the sort. The work was very accessible and a lot of it was interesting so I reckon I was feeling very prejudiced towards the place before I even got there and it did me no harm to have my preconceived ideas turned on their head.
The gallery Nora whisked me into was the one I stayed in for longest. The painting of Guernica was painted by Pablo Picasso as his response to the destruction of the Basque town Gernika by the Nazis and Fascists in 1937 during the Spanish Civil War. The version on display here is a life-size tapestry of the painting which has been on display at the United Nations Headquarters in New York since 1985. It is a powerful image and takes up most of the space of the far wall in the gallery. This tapestry forms the centrepiece of an art installation which is made up of a few separate pieces which all have something powerful to say about the horrors of war. These works have been selected by Goshka Macuga who is a London-based Polish artist and the exhibition is called The Bloomberg Commission. While I found Guernica very interesting there was a film playing on a continuous loop which was a documentary about life and death in Iraq with copious numbers of dead bodies and injured children which was eye opening and unlike anything you'd see on the evening tv news.
Once I'd felt I'd had enough of death and destruction and said goodbye to my friends I had a quick visit around the rest of the place. What I hadn't appreciated was that the old public library next door had been absorbed into the gallery thereby increasing the floor space enormously. I will look forward to my next visit when I can pay closer attention to the spaces upstairs with fresh eyes.
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